Pine is very easy to work with and, because most varieties are relatively soft, it lends itself to carving. Assuming it is a real wood veneer with a distinct grain and texture—and not merely a piece of printed plastic—you may still be able to identify the outer veneer wood in question, but you should still realize that is it only a veneer and not a solid piece of wood. Is it painted or printed to look like wood? Many times, especially on medium to large-sized flat panels for furniture, a piece of particleboard or MDF is either laminated with a piece of wood-colored plastic, or simply painted to look like wood grain. Many of today’s interior hardwood flooring planks are good examples of these pseudo-wood products: they are essentially a man-made material made of sawdust, glues, resins, and durable plastics.
Fir is most often used for building; however, it is inexpensive and can be used for some furniture-making as well. It does not have the most interesting grain pattern and does not take stain very well, so it is best to use it only when you intend to paint the finished product. Douglas fir is moderately strong and hard for a softwood, rating 4 on a scale of 1 to 4. This wood is worth mentioning because it is very common at your local home center and it is so inexpensive you will probably be tempted to make something with it. Pine comes in several varieties, including Ponderosa, Sugar, White, and Yellow, and all of them make great furniture. In some areas of the country (especially southwest United States), pine is the wood to use.
In today is kitchens dominated by stainless steel and glass, the natural warmth and texture of hardwood provides a welcome contrast. Wood exhibits defining characteristics such as mineral deposits and knots that contribute to its beauty, and can be highlighted by stains and glazes. Your look can even change over time, with changes occurring as wood ages and is exposed to light. Humidity also has a significant impact on woods, with dimensional changes lasting several days or weeks. To avoid permanent or damaging changes, maintain the humidity levels at or above 20% when the temperature is below 20 degrees and over 35% when the temperature is above 20 degrees.
If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain. Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age. The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood. Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as Oak or Mahogany; though there are some hardwoods that are also smooth to the touch, such as Maple. By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, Lacewood has large lace patterns, Oak has flecks, and Maple has the characteristic “butcher block” appearance. Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in Soft Maple, and the curls are usually well-pronounced and close together. Yet when Birch or Cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.
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