Solid wood — that is, wood cut into boards from the trunk of the tree — makes up most of the wood in a piece of furniture. The type of wood you choose determines the beauty and strength of the finished piece. Many varieties of wood are available, and each has its own properties. The following sections introduce you to the most common types of soft- and hardwoods. The most common type of cedar is the western red variety. Western red cedar, as its name implies, has a reddish color to it. This type of wood is relatively soft (1 on a scale of 1 to 4), has a straight grain, and has a slightly aromatic smell. Western Red cedar is mostly used for outdoor projects such as furniture, decks, and building exteriors because it can handle moist environments without rotting. Western red cedar is moderately priced and can be found at most home centers. Often referred to as Douglas Fir, this wood has a straight, pronounced grain, and has a reddish brown tint to it.
Pine is very easy to work with and, because most varieties are relatively soft, it lends itself to carving. Assuming it is a real wood veneer with a distinct grain and texture—and not merely a piece of printed plastic—you may still be able to identify the outer veneer wood in question, but you should still realize that is it only a veneer and not a solid piece of wood. Is it painted or printed to look like wood? Many times, especially on medium to large-sized flat panels for furniture, a piece of particleboard or MDF is either laminated with a piece of wood-colored plastic, or simply painted to look like wood grain. Many of today’s interior hardwood flooring planks are good examples of these pseudo-wood products: they are essentially a man-made material made of sawdust, glues, resins, and durable plastics.
Before proceeding too much farther into the remaining steps, it’s first necessary to confirm that the material in question is actually a solid piece of wood, and not a man-made composite or piece of plastic made to imitate wood. Can you see the end-grain? Manufactured wood such as MDF, OSB, and particleboard all have a distinct look that is—in nearly all cases—easily distinguishable from the endgrain of real wood. Look for growth rings—formed by the yearly growth of a tree—which will be a dead-giveaway that the wood sample in question is a solid, genuine chunk of wood taken from a tree. Is it veneered? If you see a large panel that has a repeating grain pattern, it may be a veneer. In such cases, a very thin layer of real wood is peeled from a tree and attached to a substrate; sometimes the veneer can be one continuous repeating piece because it is rotary-sliced to shave off the veneer layer as the tree trunk is spun by machines.
If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain. Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age. The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood. Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as Oak or Mahogany; though there are some hardwoods that are also smooth to the touch, such as Maple. By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, Lacewood has large lace patterns, Oak has flecks, and Maple has the characteristic “butcher block” appearance. Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in Soft Maple, and the curls are usually well-pronounced and close together. Yet when Birch or Cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.
Fir is most often used for building; however, it is inexpensive and can be used for some furniture-making as well. It does not have the most interesting grain pattern and does not take stain very well, so it is best to use it only when you intend to paint the finished product. Douglas fir is moderately strong and hard for a softwood, rating 4 on a scale of 1 to 4. This wood is worth mentioning because it is very common at your local home center and it is so inexpensive you will probably be tempted to make something with it. Pine comes in several varieties, including Ponderosa, Sugar, White, and Yellow, and all of them make great furniture. In some areas of the country (especially southwest United States), pine is the wood to use.
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